What’s Happening

Lot’s of things going on that have potential consequence for photographers on both ends of the workflow.

One is the inexorable push toward video.  4K is all the rage.  New high-rez monitors and laptop displays are popping up everywhere.  Panasonic has just announced the Lumix GH4 with 4K capability (and a few upgrades that may make still shooters happy too).

Medium format has gotten a shot in the arm with the announcement of a new Sony 50 megapixel CMOS sensor showing up in three forms—a new Hasselblad, a Phase One back, and a Pentax 645G 2014.  CMOS makes Live View possible, and though this sensor is less than medium format “full frame,” it’s creating a lot of excitement for those who may be able to afford the stratospheric cost of entry.

Sigma continues to expand their line of very high-end “Art” lenses, the latest being the 50mm f/1.4 for full frame bodies.  Reviews of the earlier 35mm lens in this line have been very favorable.

On the post-processing end, Sony has decided to get out of the PC computer business and has sold their VAIO brand to a Japanese investor group.

If you’re interested in general trends in the camera and photography market, one good source is the collection of sites by Thom Hogan.  It’s a constantly evolving landscape.

And remember, this is a Photokina year—that huge event in Germany in the fall—so there’s much more to come.

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Conscientious Moose

While one should avoid ascribing human motivations and actions to animals, this young bull moose certainly looks to be checking for traffic before crossing the busy road around Lake Hood in Anchorage near the gravel runway on an early morning in winter.  Moose are common in most parts of the municipality and drivers learn to be alert to their presence, especially along streets and highways.  Moose are big animals, and because of their long legs and high center of mass they often wind up coming through the windshield when struck by a car.  Not a good thing for either the driver or the moose!  Perhaps this moose is merely acting out of self-preservation.

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Winter Visitors


My favorite avian winter visitors are making the rounds of mountain ash trees still bearing fruit and gorging themselves on the bright red berries.  Bohemian waxwings lend an element of cheer to the short, cold, and often gray days this time of year as they move about in gregarious flocks, and when they locate a tree with fruit will perform all sorts of acrobatic antics to snag a beak-full.

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New Mac Pro

Dedicated Mac users and ardent Apple fans will have well and truly noted the announcement last June of a successor to the venerable Mac Pro tower.  Now the new (2nd Generation) Mac Pro is available for order, with expected delivery in February.

The new Mac Pro is a radical departure on many levels.  A very serious workstation built around an Intel Xeon processor, dual AMD graphics cards, PCIe-based flash storage, and Thunderbolt 2 connectivity, the entire complex machine is shoehorned into a sleek cylindrical case less than 10 inches tall and 7 inches in diameter…without question a tech design tour de force.

There are scores of articles and initial reviews of this just-released new machine (see links below).  Interested parties will need to carefully consider order options and additional peripherals since there is no space inside for additional storage.  Expect the market for external Thunderbolt accessories to expand rapidly, and you’ll need to factor in whatever you require into the overall acquisition cost.

Early reviews, and indeed Apple’s own advertising, seem to suggest a primary target for the new Mac Pro being video production.  That doesn’t mean it won’t function well in executing Photoshop/Lightroom/Aperture programs, but it isn’t optimized for that purpose.  And the cost will be quite high—especially if you start adding a lot of options and need considerable external fast storage.  All this is hardly out of character with Apple as they’ve proven time and again to be quite willing to introduce new technology before the market has caught up, banking on the willingness of Apple fans to help make it happen eventually.  And for many, the attendant aura is sufficient to make it all worthwhile.

Macworld review. 9to5Mac review. The Verge review. Apple Insider review.

C-Net review. Mac Performance Guide suggestions for ordering.

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The Print (addendum)

As an adjunct to the previous post, consider the measured views of Brooks Jensen, editor of LensWork, in his 12/6/2013 “Random Thoughts.” The imaging future will be interesting indeed.

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The Print

Though the vast majority of photographs taken these days are never viewed on other than a small screen, there is still great value in physical prints.  Prints can be defended in practical terms (longevity) as well as artistic (pure aesthetics).  Another aspect is that making prints is simply fun—as well as challenging—and represents an entire additional creative side to the photographic process.

The state of the art of photographic inkjet printing has advanced light years (metaphorically) on all fronts during the last two decades, including the printers, the papers, and the inks that lay down the image.  For those who wish to engage in this endeavor, the choices are vast, curtailed largely by space, budget, and what is intended as the final use for the prints you make.  Information about the history, principles, practice, and art of photographic printing is available in scores of books and other electronic media.

For many enthusiasts, the sweet spot for high quality work is in the range of printers that accept a maximum paper size of 13×19 inches.  While very large prints are lovely to look at, there is also much to recommend smaller sizes.  Prints up to about 12×18 inches fit nicely into a 16×20 inch frame which present very well in many venues.

Among the most important factors in selecting a printer is the type of ink used.  Pigment inks generally have a better longevity forecast and are preferred over dye-based inks for archival purposes.  Printing papers make a big difference too, both in terms of longevity and other physical properties like weight, thickness, surface textures, and the composition of the paper itself.  If you wish to print on thick, heavy-weight papers, select a printer designed to properly feed them.

High-end archival inkjet inks are expensive.  Some printers use larger-capacity cartridges which tend to reduce the overall per-print cost, but you have to do a fair bit of printing to take advantage of that economy.  Keep in mind too that ink cartridges have a limited shelf life—they don’t last forever.

Among the top choices in printers that handle 13 inch wide paper is Epson’s Stylus Photo R3000.  Using the widest color gamut ink set available in other than Epson’s professional line of printers, the R3000 also has high-capacity 25.9 ml cartridges, and it can print on “printable” CD/DVDs, which is a nice extra.  I’ve been using an R3000 for about a year and have been very pleased with it.

At the moment, Epson is offering a $250 rebate on the R3000.  That’s a big discount on a fine 13” printer.

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USB 3.1

The way work gets saved from active memory to storage memory on computers is through connection pipelines—like USB, FireWire, eSATA, and Thunderbolt.  Then there is video, converting bytes to visual information via VGA, DVI, HDMI, DisplayPort, and also Thunderbolt.  All of these methods (and more) use specific male/female connectors, often with multiple variations.  Among them all, USB has retained the most similarity in the physical plug/port (at least with the Type A connector; there are several other iterations as well) through three major versions of the protocol.  It’s been pretty convenient to have one plug system work for USB for so long, even though it would only plug in while in the proper orientation (if you got it wrong you had to rotate the connector 180 degrees before it would properly slide into place).  That may soon change.  Specifications for a new USB 3.1 “Type C” connector are expected to be finalized next year, and the new plug will be designed to deliver data, power, and video—and will be reversible so it will work when connected in either orientation.  See more on the issue here.

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Adobe Deal

The move to subscription software is in full swing and the pressure to sign up is getting stronger.  Adobe is now offering the Photoshop CC/Lightroom 5 package for $9.99 a month even if you don’t own a previous version of Photoshop or Creative Suite.  That seems like a pretty good deal, and if you’re interested see more here.  This is for a limited time only, so don’t procrastinate.

Lightroom is hugely popular and may well fill all the needs of many photographers.  But there are still a lot of functions and features only available in Photoshop, and since the latest versions of the two work very well in concert, there are plenty of good reasons to have both at your disposal.

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Winter

Regardless of the calendar, it’s winter in Alaska.  With several inches of snow on the ground and temperatures dipping below zero in Anchorage, the use of heavy coats and studded tires is in full swing.  While the days are getting very short, the low angle of the sun makes for dramatic scenery when clear skies prevail, like this view of Cook Inlet, Fire Island, and Mount Spurr and the Tordrillo Mountains in the background.

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SONY Stirs Things Up, Again

Sony has had a way of creating new paths in the camera business the last few years.  While it hasn’t put Canon or Nikon out of business, it has turned more than a few heads and made a lot of converts.  Take the RX100 (and even newer RX100R); a tiny camera with much larger than usual sensor that does a brilliant job within its boundaries.  Then the RX1 (and latest RX1R), with full frame sensor and superb matched single focal length fixed mount lens which though very expensive for its category has delivered exceptional results.

The latest in this series of major moves, announced today, is the Alpha 7 and Alpha 7R. At first blush these bodies look to be an evolution of the very successful NEX line but in fact are a new hybrid using a full frame sensor, built-in high-end electronic viewfinder, and E-mount lens mount from the NEX.  The A7 will have a 24MP sensor and the A7R will have a 36MP sensor without anti-aliasing filter.  New full-frame E-mount lenses will be badged “FE” and while the initial offering is limited, expect Sony to populate this line pretty quickly.  I hope they do, because this has been one of the failings in Sony’s previous offerings.  For serious cameras to be treated seriously by top–end users, the lens selection needs to be broad enough to cover a lot of diverse requirements.  Here are some links to more information.

B&H Photo Video

DPReview

Luminous-Landscape

Sans Mirror

The Verge

A number of years ago I enjoyed an Olympus OM (full frame) film system, marveling at its diminutive size.  Sony is now reinventing that territory and I expect two other big-name companies are taking note, as well as the micro-four-thirds camp.  Very interesting development.

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