Photokina 2014

It’s an even-numbered year so it’s time for another Photokina in Cologne, Germany.  The world’s largest imaging trade show runs September 16-21 and promises to showcase the very best each vendor has to offer.  In the run-up to the opening, one can expect an increasing glut of rumors (some sleuthed, some leaked) about all the new, fantastic equipment about to be offered to the world.  In the Canon family, the two items most expected are a significant update to the venerable EOS 7D, and a new 100-400mm zoom lens. But there will be plenty for all to salivate over and numerous in-depth reports on the big event soon after.  Enjoy the next couple of months!

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4K Monitor

ea244uhd-bk_ho

For early adopters looking to jump right into quality “4K,” NEC has one worthy of consideration—the EA244UHD-BK. While it isn’t cheap, it’s certainly not off the scale when the specs are considered. In a nutshell, this is a 24” wide gamut LED monitor with 3840×2160 resolution that delivers 99.3% of the Adobe RGB color space and is easily calibrated with NEC’s SpectraView II software. You can read Lloyd Chambers’ initial comments here, an earlier review by Ron Martinsen of a pre-production unit here, and NEC’s own specs here.

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Lookout on Duty

Hoary Marmot on granite boulder near Hatcher Pass, Alaska in August.

If you visit rockslides in alpine country in Alaska you’re likely to see (or hear) Hoary Marmots. These large rodents favor the same kind of habitat as pikas—jumbled sections of granite boulders and scree that provide natural hiding places as well as high points from which to watch for predators. Seeming always to be on the lookout, marmots sound off with a shrill whistling call at the first sign of a threat. Another species, the Alaska Marmot, is found primarily in the Brooks Range.

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Small Preferences

Little things can make a lot of difference in photography, especially in the handling of the tools. Reaching the point where manipulation of the camera is so practiced and automatic that all one’s concentration can be focused on subject matter and composition is not only satisfying, but much more productive. Unfortunately it’s harder to do than one would like.

One factor is the camera bodies themselves. Seldom are the dials, buttons, and knobs in the same location from model to model, so inevitably one has to relearn and accommodate the differences. Some systems, however, do have a continuity in certain features that carry pretty much through the line, such as Canon’s Quick Control Dial (or “Rear Thumb Wheel”) on the back of EOS DSLRs. This is one of the best control interfaces I’ve used and it’s become natural to expect it to be there from one camera body to another. Earlier this year I began using a 70D, a nice compact package with pretty good specs and a few features I wish were on all the models (like the articulating LCD). And it has the rear dial too, except it’s not quite the same—smaller, and with an 8-way controller between the outer edge of the dial and the “Set” button in the middle (as first seen on the 60D). I understand the purpose, and frankly the mechanization makes sense given the relatively small body size, but when I’m using it in conjunction with another EOS body there’s enough difference to make it awkward. And regarding size, I think the 70D is just a little too small for my purposes. I’m all for less weight and bulk, but I like a camera body to feel comfortable in my hands and not have the sensation I’m gripping it with my fingertips. Personal preference, for sure, and I’ll likely add a battery grip to my 70D for a little better handling in the field.

Another preference has to do with straps. I prefer a strap on every camera body as an aid to handling (and a little less risk of dropping one). I don’t like wide or gaudy straps; a simple one-inch nylon model in black—like Nikon’s AN-4B—fills the bill very nicely. Others must think so too as the same strap has been in Nikon’s inventory for a very long time.

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Migrating Image Files

Many photographers using Mac computers were surprised a while back when Apple announced it would no longer continue development of their pro-level image editing and management application Aperture. But times change and things happen, and when they do other companies often step in to offer alternatives. In this case it’s Adobe, whose very popular and roughly similar program Photoshop Lightroom will be a logical migration choice for many. To smooth the process, Adobe has published a guide for moving your Aperture database to Lightroom.

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Summer Harvest

Dipnetting at the mouth of the Kenai River, Kenai, Alaska, in July.

Due to an abundance of fish, Alaska allows dipnetting for personal use for certain runs of salmon with strict permit requirements and seasonal limits. The mouth of the Kenai River is one of the most popular spots for sockeyes (reds) during the month of July. This is an event of major proportions drawing people from great distances, temporarily swelling the population, and making local businesses very happy.

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Short Seasons

Devil's club, Kenai Peninsula, July.

Summers in Alaska hardly seem to have fully developed before signs of autumn appear, like these brightly colored devil’s club leaves in the middle of July along the eastern edge of Cook Inlet. Best to enjoy as much as possible during the remaining long days, which are already getting shorter.

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Sensor Race

A few days ago Nikon announced a minor upgrade to their highly-regarded D800, to be called the D810. Pixel count stays the same (36.3MP), though the anti-aliasing filter has been removed entirely and there will only be one model instead of two. DPReview offers more comments on what they consider minor but important changes.

So where does this leave us in the sensor race? In terms of “full frame” pixel count the D800/800E, followed by Sony’s Alpha 7r, have led the field. Dedicated Canon users have waited—not all that patiently—for something with a larger MP sensor than the 22.3MP unit in the 5D Mark III, but have so far been disappointed. In the meantime, in certain circles (particularly those more interested in landscapes and a methodical shooting style) many have lauded the high resolution and stunning image quality produced by the Sigma DP Merrill cameras (1,2,and 3) with very different Foveon X3 sensors (non-Bayer Matrix, APS-C-sized).

And the contest isn’t over. Sigma is just delivering the first of its new line of dp cameras labeled “Quattro” with a newly-designed Foveon sensor. In addition, there are strong rumors that Canon will use a new type of sensor in the long-awaited 7D upgrade, and likely in other follow-on models (see new sensor patent info here). Sony also has a non-Bayer 54MP sensor waiting in the wings. All this is occurring in a Photokina year when manufacturers like to strut their stuff. It will be a very interesting next few months.

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New Direction

Nine years ago Apple released Aperture, their “professional level” photo editing and management software for Mac computers and I watched several acquaintances embrace this program with unparalleled enthusiasm. Windows users had to wait a couple of years for Adobe to respond with Photoshop Lightroom, a somewhat similar program for non-destructive editing and file management which was made available on both Windows and Mac platforms. Yesterday Apple announced it will cease development of Aperture and focus instead on the just announced “Photos for OS X” application due early next year to run on both iOS 8 and OS X Yosemite. There are numerous discussions on the web regarding ramifications of this move (Thom Hogan, TechCrunch, and CNet).

It will take time to sort out all the implications of this change. Will Photos for OS X be as robust as Aperture and satisfy “professional level” still photographers? Is this a sign that Apple is abandoning its professional still photo customers while still supporting professional videographers with continued development of Final Cut Pro X along with a long-overdue new Mac Pro workstation (which seems optimized toward video production needs but which of course can also be used for still work). Has the cloud now become so centric in Apple’s business strategy that everything will be funneled through it? And what are the options for serious still photographers who have used Aperture for years and have a huge, valuable database of optimized image files with no clear (as yet) migration avenue? To some degree this can be viewed as part of the fallout from greater emphasis by large electronics companies on mobile communications in general (including cloud storage). If that’s where the money is, that’s where some will focus almost exclusively.

Many are claiming a windfall for Adobe. Indeed, several discussions claim Apple is working directly with Adobe to create a supported migration path to Lightroom, but how this materializes, and whether the process will somehow preserve the many thousands of RAW file metadata adjustments is far from certain. Whatever eventuates, professional still photographers now relying on Aperture have a lot of decisions to make in the coming months.

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Software Choices

Those who regularly use Adobe’s iconic Photoshop program will have already made the decision whether to accept the relatively new subscription program or stick with an earlier iterated version (CS6 being the last). Moving to their Creative Cloud model ensured you would get regular updates without waiting for a whole new version to come out…except that’s just what has happened; Adobe has just released Photoshop CC (2014), a separate version from the previous Photoshop CC. There are plusses and minuses to this decision, but for those who are already subscribed, note that CC (2014) may or may not play well with all third-party plugins, so make sure before uninstalling the older CC version. Thom Hogan provides some additional insight on this issue.

For those who didn’t make the jump to the subscription model earlier, Adobe is still offering their “Photography” package which includes both Photoshop CC and Lightroom for $9.99 a month (and a one-year commitment). This may not be the best answer for you, but subscription is definitely the way the software world is moving.

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